EastWest Symphonic Orchestra Platinum Plus

Description

EastWest Symphonic Orchestra Platinum Plus Edition - Virtual Instruments
|| We are authorized EastWest Dealers. Please Verify our Credentials on the Xchange Market. Your Software Registration Code and Instructions Will Be Sent to You, Along With an URL Connecting You Directly to The Manufacturer, Who Will Provide You With Your Software. Please Be Aware That Software Is Non-Cancelable and Non-Returnable. If you have any questions about this product please do not hesitate to contact us.
PLEASE NOTE: It is important to make sure that your computer and Digital Audio Workstation (DAW) have the proper system requirements to operate this software. Due diligence is highly recommended prior to purchase.
Symphonic Orchestra Version Comparison Quick Reference
Category
Silver
Gold
Platinum
Platinum Plus
Articulations
Essential articulations and instruments
All articulations and instruments
All articulations and instruments
All articulations and instruments
Mic Positions
Stage mics only
(conductor's position)
Stage mics only
(conductor's position)
All three mic positions
(close, stage, hall)
All three mic positions
(close, stage, hall)
Sample Rate
44.1kHz
44.1kHz
44.1kHz
44.1kHz
Sample Bit Depth
16-bit
16-bit
24-bit
24-bit and 16-bit
Installed size
11GB
33GB
117GB
194GB
16-bit and 24-bit samples can both be used in 16-bit and 24-bit projects
"A big, bountiful, powerful, expressive, sonically superior collection of top-quality orchestral sounds, recorded in a first-class concert hall, played, recorded and programmed by expert practitioners, waiting to burst into life in your compositions.
— SOUND ON SOUND
Recorded by 11-time Grammy nominated classical recording engineer Prof. Keith O. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is the most awarded orchestral collection ever, including winning Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform.
To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions, close, stage (conductor‘s position) and hall. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. This eliminates the need for artificial reverb.
"
With millions attending CIRQUE DU SOLEIL shows each year, we demand the very best music creation tools available - and like an exquisite fine wine, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is not just a bunch of fake sounding samples, but a REAL ORCHESTRA AT YOUR FINGERTIPS!
— RENÉ DUPÉRÉ
New Features
Four versions available:
EWQLSO PLATINUM COMPLETE PLUS 24-BIT AND 16-BIT (194GB)
EWQLSO PLATINUM COMPLETE 24-BIT (117GB)
EWQLSO GOLD COMPLETE 16-BIT (33GB)
EWQLSO SILVER COMPLETE 16-BIT (11GB)
64-bit (for 32-bit compatibility use PLAY 4)
Intuitive custom interface
Intelligent Performance section including Portamento, Repetition, Legato, Round Robin Reset
Improved articulation window and controls
On screen mic position mixing (Platinum and Platinum Plus only)
Switchable 24-bit/16-bit depth (Platinum Plus only)
State of the art Convolution Reverb with pre-delay and additional Master control to route reverb to all instruments in an instance
Convolution includes concert hall orchestra was recorded in for additional control of hall ambience
Intelligent release trail engine that follows the note-on samples volume at all times, so release trails always match
Release trails unaffected by mod-wheel cross-fade programs, radical mod-wheel movements do not degrade release trails
Recall custom key-switches instantly
Key-switch sizes now unlimited
State of the art sound quality with high-resolution audio engine
Hi fidelity one pole filter for natural cross-fades
Stereo image editing now possible using channel sourcing
Licenses included to install each section on multiple computers (Platinum and Platinum Plus)
Original and Pro XP expansion combined into "complete" PLAY version
Completely re-programmed for PLAY software from the original recordings
Features
The Way an Orchestra Should Sound
-
EASTWEST/QUANTUM LEAP Symphonic Orchestra has already come out on top in a recent roundup of orchestral collections for its level of warmth and detail. Now with the incorporation of PLAY, users of the upgraded EASTWEST/QUANTUM LEAP Symphonic Orchestra will experience the benefits of the new sample engine immediately. With the typical orchestral composition encompassing a large amount of instruments, EASTWEST‘s PLAY software will streamline the process by allowing many more instruments to be loaded at one time than with previous systems.
Beyond the orchestra's phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound. In the past, this meant adding reverb and effects, further digitizing and degrading the overall quality of your music. EASTWEST/QUANTUM LEAP accomplish this through separately recording the natural hall ambience after the instrument has stopped playing until the sound has actually ceased. The software triggers this "release trail" at the end of every note and adjusts the dynamics so that the samples blend seamlessly, truly placing the listener in the hall with the orchestra.
Each instrument and orchestral section is chromatically sampled at three different mic positions (close, stage and hall) allowing you to mix together instantly within the included PLAY sampler (PLATINUM and PLATINUM PLUS versions only) any combination for the ultimate in real-time tone and ambience control.
Play -
PLAY 5
is a 64-bit Advanced Sample Engine (plug-in or standalone).
PLAY 5
is Included with all current
EASTWEST/QUANTUM LEAP
Virtual (software) Instruments. For 32-bit compatibility, please use PLAY 4.
Multiple Mic Positions
All instruments were sampled with three different mic positions, allowing you to mix together any combination of mics using the interface for the ultimate in real-time tone and ambiance control. This feature enables you to customize the sound of the orchestra to your own requirements.
Mic Mixer
Control all mic positions for the orchestra, choirs, pianos, and other instruments with multiple mic positions with the built-in mic mixer
Now taken a step further, do it right in the patch
Load, unload, adjust, pan, mute mic positions as you wish
Load MORE thanks to 64-bit support
64-bit support allows you to load many more instruments and voices, limited only by your system RAM
As Beautiful As It Sounds
Interface designed to eliminate clutter, including only the controls needed for each individual virtual instrument
All instruments are listed in one browser
Easy to use browser displays all of your instruments
Favorites section to group the instruments you use most
Preview your instrument of choice in an easy-to-use column viewer
Interface automatically changes to display current instrument
Articulations
Forget browsing through complicated patch names: pick the instrument and play Turn on/off articulations as you wish
Articulations list also serves as reference for all expressions within the instrument (no need to look up key-switches in charts)
Save your favorite configuration for quick retrieval
Legato Detection
PLAY
senses legato and repetitive playing and responds accordingly
Stereo Handling
PLAY allows the user to manipulate stereo samples in very useful ways
Stereo Swap allows the user to instantly swap the left and right channels
Mono from left , Mono from right, or Mono Sum allow for instant conversion from stereo to mono
Playback Engine
Highest quality resampling engine
Built from the ground up to create the most intuitive instruments possible
EastWest/Quantum Leap now design instruments every step of the way without compromise
Effects Engine
The best sounding and most powerful effects engine out there, built from the ground up for the highest possible quality
Reverb section includes multiple impulse responses from halls, and the famous EastWest Studios and live chambers (more RIAA certified Platinum and Gold records awarded than any other studio)
The smoothest filters you'll ever hear
Security system
Authorize purchased instruments easily using the industry standard iLok security system
Offers complete portability, take your plugin anywhere you want, use it on any computer
Easy to authorize and manage (up to 500 authorizations on one key)
Platforms and Hosts
AU, VST, Standalone, Intel Mac, Windows XP, Vista, 7 and 8, 64-bit, 32-bit (use PLAY 4 for 32-bit compatibility)
Natively supported in all major hosts on all major operating systems -
PLAY
no matter what your platform
More native support than any other plug-in
Standalone:
PLAY
as many instruments as your computer can handle in one application
Summary -
PLAY
isn't just a sample playback system. The
PLAY
SYSTEM is a professional, fully integrated sample playback software solution for those with the most demanding production requirements.
Offers native support for more platforms than any other software engine
The latest in technology (64-bit supports next generation operating systems)
The highest sound quality (ground-up effects, highest quality interpolation)
The best virtual instruments from the multiple award-winning EASTWEST/QUANTUM LEAP production team
The most intuitive controls, custom designed for each library
Awards
EQ Magazine EXCEPTIONAL QUALITY Award
Keyboard Magazine KEY BUY Award
G.A.N.G. (Game Audio Network Guild) BEST SOUND LIBRARY Award
Computer Music Magazine PERFORMANCE Award
Sound on Sound Readers Choice Award (record 3 times!)
"I compose music for feature films. I come from a classical background and my music is primarily for the orchestra with additional electronic elements when appropriate. When I compose, I have a full orchestra loaded into samplers. The cost of it really isn't an issue for me, because when I need to do the orchestral mock-ups I need to have the best sounding, most expressive orchestral instruments I can find. The big issue I have had with orchestral sample libraries in the past has been the way they were recorded. Most of them were close mic'ed and not in a proper environment for an orchestra. No matter how much reverb you put on those recordings, they never sound good. The EWQLSO recordings are excellent and sound the way a real orchestra sounds in a hall or sound stage. The sounds are inspiring to play because they sound so good. Simply put: EWQLSO is now the best sounding orchestral library on the market!
— DAVID NEWMAN
DAVID NEWMAN has written the music for more than 100 motion pictures. Nominated for an Academy Award® for his score for Anastasia, Newman has composed music for such films as Ice Age, Heathers, How to Lose a Guy In 10 Days, Other People's Money, Galaxy Quest, The Freshman, Cat in the Hat, Daddy Day Care, The Nutty Professor, Scooby-Doo, Scooby-Doo 2: Monsters Unleashed, Life or Something Like It, The Affair of the Necklace, Dr. Doolittle 2, Honeymoon in Vegas, Are We There Yet? and most recently, Monster-In-Law, and Serenity. Newman has enjoyed a longstanding working relationship with director Danny DeVito, having scored the films The War of the Roses, Hoffa, Death to Smoochy, Duplex, Matilda, and Throw Momma From the Train. Newman is the son of legendary composer Alfred Newman, brother of composer Thomas Newman and cousin of Randy Newman. He most recently conducted the Los Angeles Philharmonic in a series of concerts where he performed music from classic films about Los Angeles. In addition, his classical-music composition “Songs of My Father” which is based on themes of his father‘s, was commissioned and performed by the Indianapolis Symphony.
Instruments and Articulations
STRINGS
18 VIOLINS
Long
Butter Legato Forte
Butter Legato
Expressive Fast
Expressive-Legato
Expressive
Lyrical Fast
Lyrical-Legato
Lyrical
Non-Vibrato Fast
Non-Vibrato-Sustained XF
Non-Vibrato
Non-Vibrato-Expressive Fst XF
QLegato
Sordino Slow
Sordino
Sustained Vibrato Hard
Sustained Vibrato Soft Legato
Sustained Vibrato Soft
Sustained Vibrato
Sustained-Legato
Tremolo Legato
Short
Bartók Pizzicato Round-Robin
Bartók Pizzicato
Marcato Long
Marcato Medium Short
Marcato Short
Martelé Up-Down Marcato Medium
Martelé Up-Down Marcato Short
Martelé Up-Down
Pizzicato Round-Robin x3 †
Pizzicato vs Bartók Round-Robin x3
Pizzicato
Quick Up-Down Marcato Short x6
Quick Up-Down Marcato Short
Quick Up-Down Marcato Up-Down
Quick Up-Down
Short 3-Way Round-Robin
Short Script 1
Short Script 2
Spiccato Round-Robin x4
Spiccato Round-Robin
Effects
Cluster & Air
Pendereki
Slur Fast
Slur Medium
Slur Slow
Slur Extra-Fast
Modwheel
Accent Sustained Mod
Emotional DXF 1
Emotional DXF 2
Emotional DXF Accent Vel
Expressive Fast DXF
Expressive Legato Accent DXF
Expressive Legato Accent MOD
QLegato DXF Slide Up-Down vs
QLegato DXF Slide Up vs
QLegato DXF
Sordino Emotional DXF Velocity
Sordino Mod XFD Dyn
Sustained Vibrato DXF Legato Velocity
Sustained Vibrato DXF Slow
Sustained Vibrato DXF Slur2 Velocity
Sustained Vibrato DXF Slur Velocity
Sustained Vibrato DXF
Sustained-Vibrato XF Tremolo
11 VIOLINS
Long
Butter Legato Forte
Butter Legato †
Expressive Diminuendo
Expressive-Legato
Expressive
Grand Detaché
Harmonics
Lyrical A †
Lyrical B
Lyrical-Legato
QLegato Flautando
QLegato Sordino †
QLegato †
Run Simulator
Sustained Vibrato Hard
Sustained Vibrato Soft Leg
Sustained Vibrato Soft
Sustained Vibrato †
Sustained-Legato
Short
Col Legno Round-Robin x3
Col Legno
Marcato Short
Marcato
Martelé Up-Down Marcato
Martelé Up-Down Spiccato
Martelé Up-Down
Medium Short 3-Way Round-Robin
Quick Up-Down Marcato x6
Quick Up-Down Marcato
Quick Up-Down Spiccato
Quick Up-Down †
Repetitions
Short 3-Way Round-Robin
Short Script 1
Short Script 2
Short Spiccato 3-Way Round-Robin
Spiccato †
Spiccato 2 Round-Robin x6
Spiccato 2 Round-Robin †
Staccato Mod Col Round-Robin x2
Staccato Round-Robin x2
Effects
5th Slide DN Hrd
5th Slide UP Hrd
Glide Long
Glide Short
Psycho Rip
Run Down Psycho
Run Up Psycho 2
Run Up Psycho Round-Robin
Scratching FX †
SFX Clusters
Slow Trill FX
Sul Ponticello
Tremolo
Trill Half-Tone †
Trill Whole-Tone †
Modwheel
Accent Sustained Mod
DXF Expressive Fast
DXF Expressive Slow
DXF Sustained Vibrato Acc Vel †
Emotional DXF 1
Emotional DXF 2
Flautando Harmonics DXF
QLegato DXF Slide Up-Down vs
QLegato DXF †
QLegato Sordino DXF †
Sustained Non-Vibrato Vibrato X-Fade
Sustained Vibrato DXF Slow
Sustained Vibrato DXF
10 VIOLAS
Long
Butter Legato
Expressive Fast †
Expressive Legato Accent
Expressive Slow
Expressive-Legato
QLegato Flautando
QLegato Sordino †
QLegato †
Sustained 2
Sustained Soft Legato
Sustained Soft
Sustained-Legato
Sustained †
Short
Bartók Pizzicato Round-Robin x3
Bartók Pizzicato †
Col Legno Round-Robin x3
Col Legno
Marcato Long
Marcato Short
Martelé Up-Down Marcato
Martelé Up-Down
Pizzicato Round-Robin x3
Pizzicato vs Bartók Round-Robin x3
Pizzicato †
Repetitions
S Martelé Up-Down Marcato S x6
S Martelé Up-Down Marcato S
Short Martelé Up-Down †
Staccato MOD Col Round-Robin
Staccato Round-Robin x4 †
Staccato Round-Robin x8
Effects
Sul Ponticello
Tremolo
Trill Half-Tone
Trill Whole-Tone
Modwheel
DXF Sustained Accent Velocity
Emotional DXF 1
Emotional DXF Accent Velocity
Expressive Fast DXF
Expressive Slow DXF
Legato Expressive Accent MOD †
QLegato DXF Slide Up
QLegato DXF †
QLegato Sordino DXF †
Sul Pont Tremolo DXF
Sustained Accent MOD
Sustained Non-Vibrato Vibrato Cross-Fade
10 CELLOS
Long
Butter Legato Forte
Butter Legato
Expressive Lyrical-Legato
Expressive Vibrato Fst
Expressive Vibrato
Flowing
Lyrical Fast
Lyrical
Non-Vibrato
Portato Short
Portato-Legato
Portato
QLegato Sordino †
QLegato †
Run Simulator
Sordino Legato Diminuendo
Sustained Vibrato Hard †
Sustained Vibrato Soft Leg
Sustained Vibrato Soft †
Sustained Vibrato
Sustained-Legato
Tremolo Legato
Tremolo †
Short
Bartók Pizzicato Round-Robin x3
Bartók Pizzicato
Col Legno Round-Robin x3
Col Legno
Marcato Mod Col Round-Robin x6
Marcato Round-Robin x6
Marcato Round-Robin †
Martelé Up-Down
Pizzicato New
Pizzicato Round-Robin x3
Pizzicato vs Bartók Round-Robin x3
Pizzicato
Quick Up-Down x6
Quick Up-Down †
Short Script
Spiccato Round-Robin x6
Spiccato Round-Robin †
Effects
Crescendo
Effects
Sul Ponticello to Tremolo DXF
Sul Ponticello
Trill Half-Tone
Trill Whole-Tone
Modwheel
DXF Sustained Accent Velocity
DXF Sustained Vibrato Slow
DXF Sustained Vibrato
Emotional DXF 1
Emotional DXF 2
Emotional DXF 3
Emotional DXF 4
Expressive Vibrato DXF
Fast Accent Mod
Non-Vibrato-Sustained XFD
QLegato DXF sl up
QLegato DXF †
QLegato Sordino DXF †
Soft Vibrato XFD Tremolo
Sustained Accent Mod †
9 DOUBLE BASSES
Long
Big Sustained
Expressive 2x Crescendo
Expressive Fast
Expressive-Legato
Expressive
FortePiano
Portato-Legato
Portato
Sforzando
Sustained Vibrato Hard †
Sustained Vibrato Soft Legato
Sustained Vibrato Soft †
Sustained Vibrato
Sustained-Legato
Tremolo Legato
Tremolo
Short
Martelé Up-Down
Pizzicato Mod slaps
Pizzicato
Quick Up-Down Mod Slap
Quick Up-Down x6
Quick Up-Down †
Short Script
Slaps
Effects
Crescendo
Effects
Modwheel
DXF Expressive Accent Velocity
DXF Sustained Slow
DXF Sustained
Emotional DXF 1
Emotional DXF 2
Emotional DXF Accent Velocity
Expressive Fast DXF
Expressive Long DXF Accent Velocity
Sustained Accent mod †
Sustained Vibrato Cross-Fade †
Sustained Vibrato Cross-Fade to Tremolo
4 VIOLINS
Long
Sustained Vibrato
Sustained Vibrato DXF
3 CELLOS
Long
Sustained Vibrato
Sustained Vibrato DXF
SOLO VIOLIN
Long
Expressive 1
Expressive 2
Expressive Crescendo
Expressive Piano
Expressive-Legato
Legato Vibrato
Non-Vibrato Hard
Non-Vibrato Soft
QLegato Expressive Piano
QLegato Round-Robin
QLegato †
Sustained Vibrato Hard †
Sustained Vibrato Soft
Sustained-Legato
Short
Col Legno Round-Robin
Col Legno
Marcato Non-Vibrato Hard
Marcato Vibrato
Martelé Up-Down x6
Martelé Up-Down
Pizzicato Round-Robin x3
Pizzicato
Repetitions
Short Script
Staccato Round-Robin x4
Staccato Round-Robin
Effects
5th Slide Up
Octave Slide Uo
Octave Slide Down
Crescendo
Slur
Trill Half-Tone
Trill Whole-Tone
Modwheel
Non-Vibrato DXF
Non-Vibrato Vibrato DXF
QLegato DXF Round-Robin
QLegato DXF
Vibrato DXF
SOLO VIOLA
Long
Expressive 1
Expressive 2
Expressive 3
Expressive Vibrato Sft
Expressive-Legato
Non-Vibrato Hard
Non-Vibrato Round-Robin
QLegato Round-Robin
QLegato †
Sustained Vibrato †
Sustained-Legato
Short
Col Legno Round-Robin x3
Col Legno
Marcato Hard Round-Robin x2
Marcato Hard
Martelé Round-Robin x4
Martelé Round-Robin x8
Pizzicato Round-Robin x3
Pizzicato
Short Script
Spiccato Round-Robin x2
Spiccato Round-Robin x4
Effects
Octave Slide UP
Trill Half-Tone
Trill Whole-Tone
Modwheel
Non-Vibrato Vibrato DXF
SOLO CELLO
Long
Double Bow Expressive
Expressive Down
Expressive Up
Expressive Vibrato
Legato Vibrato
Non-Vibrato
QLegato Round-Robin
QLegato †
Sul Tasto Legato
Sustained Accent
Sustained Vibrato Hard
Sustained Vibrato Smooth †
Sustained-Legato
Short
Col Legno Round-Robin x3
Col Legno
Marcato
Martelé Up-Down Marcato x6
Martelé Up-Down Marcato
Martelé Up-Down
Pizzicato Round-Robin x3
Pizzicato
Short Script
Effects
Slur
Non-Vibrato to Vibrato DXF Accent
Modwheel
Vibrato DXF Accent
SOLO CONTRABASS
Long
Expressive-Legato
Expressive
Lyrical-Legato
Lyrical
QLegato Expressive
QLegato Round-Robin
QLegato †
Sustained Non-Vibrato
Sustained Vibrato †
Sustained-Legato
Short
Col Legno Round-Robin x3
Col Legno
Marcato Round-Robin x3
Marcato
Martelé Round-Robin x6
Martelé Round-Robin
Pizzicato Round-Robin x3
Pizzicato
Short Script
Spiccato Marcato Round-Robin x6
Spiccato Round-Robin x6
Spiccato Round-Robin
Modwheel
Sustained Vibrato DXF
HARP
Long
Harp Harmonics
Harp Pluck
Harp Pluck Long
Harp Pluck Roll
Harp Pluck Short †
Effects
Harp Gliss 6 Up-Down
Harp Gliss 9 Up-Down
Harp Gliss Major Up-Down
Harp Gliss Whole Tone Up-Down †
Harp Psycho Drone C
HARPSICHORD †
LARGE STRING ENSEMBLES
50 Piece String Section Fst
50 Piece String Section Leg
50 Piece String Section Sustained
60 Piece String Section Expressive
60 Piece String Section Pizzicato
60 Piece String Section Sustained
70 Piece QLegato Slow
70 Piece QLegato Sordino
70 Piece QLegato
70 Piece String Marcato Round-Robin
70 Piece String Section Expressive
70 Piece String Section Pizzicato
70 Piece String Section Sustained
Chamber Ensemble Flautando
Chamber Ensemble
String Quartet QLegato Round-Robin
String Quartet QLegato
† – denotes articulations included in EWQLSO Silver Complete
‡ – bonus instrument not recorded in hall; does not include multiple mic positions
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